Introductory Lectures on Aesthetics

by G. W. F. Hegel · Vorlesungen über die Ästhetik

Assigned by 1 of the 9 reading lists, catalogue entry only

Written
lectures 1820-1829, published 1835
Language
German
Length
Medium · 200 pp120 to 300 pages
Difficulty
Difficult4 of 5 for a first-year reader

We recommendIntroductory Lectures on Aesthetics, translated by Bernard BosanquetPenguin Classics, 1993Michael Inwood's edition of the introduction, the part nearly everyone reads; T. M. Knox's two-volume Oxford set has the whole.

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The introduction to Hegel's lectures on fine art, delivered in Heidelberg and Berlin and assembled by his student Heinrich Gustav Hotho after his death. Hegel argues that beauty in art ranks above beauty in nature because it is born of spirit, that art is one of the three ways, with religion and philosophy, in which spirit knows itself, and that it develops historically through symbolic, classical and romantic forms. He also holds that in the modern world art has ceased to be the highest way in which truth finds existence.

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The catalogue entry above is complete: the dates, the form, the themes and every program that assigns Introductory Lectures on Aesthetics are verified against each program's published list.

What is missing is the part that takes real work: the summary, the key passages, and a recommended translation. The edition named below is the one most programs assign, so the buy links are useful already.

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Vorlesungen über die Ästhetik, Lectures on Aesthetics, Lectures on Fine Art, Aesthetics, Introduction to Aesthetics, symbolic art, classical art, romantic art, end of art, ideal, Hotho, beauty, fine art, Georg Wilhelm Friedrich Hegel, Hegel